wr—iti——ng—s—— an—t—o——n———y h
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e We present a re-realization of David Wessel's Antony (1977). Antony was originally composed using a novel set of additive synthesis techniques developed for the 4A and the PDP 11/40. Those techniques continued to play a role throughout Wessel's life as an improviser, and inspired many of his students and colleagues. Our re-realization of Antony involves using those same techniques to reinterpret and perform the very piece that they were used to create. d———o—w——n—l———o—a—d—— John MacCallum, Matthew Goodheart, Adrian Freed. Antony: A Reimagining. Proceedings of the International Computer Music Conference (ICMC). Denton, Texas. 2015. c—i———t——e———